Countdown to The Last Beginning: 5 days to go! – A SCENE FROM START TO FINISH

Last year I posted the different versions of a scene in TNT as it went through editing from first draft to final published book. It was quite scary to put my terrible early writing out there, but a lot of writers said it was really helpful, so I’m doing it again!

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The first drafts and finished copies of both books!

I’m going to be using a scene from Chapter One, when Clove’s parents tell her some important news. Warning: it does contain a spoiler for the end of TNT, so maybe hold off on reading ahead if you still haven’t read book 1. Let’s start with the final version, for ultimate impact:

Published text:

A message from Spart, their household Artificial Intelligence system, popped up on Clove’s watch screen and interrupted her thoughts.

“Your mother is about to enter your room. Hide any and all illicit substances now.”

Clove rolled her eyes at the message. Their AI lived in all their home computers and watches and picked up vocal instructions from anyone near by. Spart organized their lives, and tended to make a general nuisance of himself as he did so. Clove thought this was because her dad had programmed him with a few extra features, including a personality, which meant Spart tended to think he was human. 

“Come in,” she called to her mum.

“Can you come and sit with us for a moment, Clove?” her mum said after opening the door. Her voice sounded oddly nervous. “Your dad and I want to talk to you about something.”

Clove followed her mum downstairs to the living room and settled on the sofa. Her curiosity increased as she watched her parents communicate with each other silently. They were so in sync that they sometimes seemed able to talk to each other without speaking at all.

A notification popped up on Clove’s watch. Meg had replied to her goodbye with a snap of herself smiling dreamily into the camera. She’d written alec ❤ across it in red. Annoyed, Clove swiped left to delete the message. 

“Clove,” her dad said, after clearing his throat, “we’ve got something to tell you.” He let out an exhale. Clove saw her mum squeeze his hand. “It’s time to tell you the truth. We think you’re old enough now to understand it.”

All Clove could hear was the blood pounding in her ears.

“Now, Clove, we love you. You are a wonderful, beautiful daughter—” He paused.

She stared at him. “What? What is it?” Her words came out croaky. For an agonizing heartbeat, nobody spoke. 

Then her dad continued. “This is hard to say…” 

“What?” she said hoarsely. “Just tell me.”

Her dad sucked in a long breath. “When you were born, something happened to my brother … who was your natural father. Something happened to him and your natural mother.” 

Clove felt her face go stiff. She couldn’t think. She couldn’t process anything he was saying. Adopted. Adopted? She didn’t feel adopted. Wouldn’t she have guessed?

“We raised you because they couldn’t,” her dad went on. “Genetically, I’m actually your uncle.” 

“Why didn’t you tell me before?” Clove asked. She felt betrayed, displaced, horrified, and a hundred other emotions she didn’t know how to put into words. 

Her parents exchanged glances. “Your birth mother made us promise to wait until you were old enough to understand,” her mum said. “She was worried you might not be able to handle it. It’s sensitive. But now you’re sixteen, we thought—”

“What?” Clove said, in a choked-off half-laugh. “That now I can handle it?”
“It’s more than just you being adopted. It’s also … because of what happened to your natural parents … because of who they were.” Her mum stared down at her hands.

Her dad shifted in his seat.

Clove was itching to move, her knee jumping with the hyperactive twitchiness that always came when she was upset. She leant forward to stop it. “Why? Who are they? What happened to them? Is it because they didn’t want me? Is that what you’re saying?” Clove was finding it hard to process her thoughts. 

“Oh, Clove,” her mum said. “No, no. It wasn’t like that at all. They loved you very much.” 

“Clove,” her dad said, trying to speak calmly. “Darlin’, it’s … it’s hard to explain. They were—” 

“They were what ?” she demanded. “Tell me.”

Clove stared at her parents – her adoptive parents, not her real parents at all – and felt the hairs on the back of her neck rise. She didn’t understand. Nothing made any sense. 

“I’m getting this all wrong. Clove, I’m sorry,” her dad – Tom – said. “Let me explain properly.” He faltered. Her mum − Jen − took his hand again. “Maybe it’s best if I just come right out with it. What do you know about Matt Galloway and Kate Finchley?”

Okay. Seems pretty solid, right? I can’t really offer any feedback on my own work here, because if I saw anything I thought could be improved, I did it. This is my best work as of a month ago.

Let’s go back to the first draft, and see what my best work was like as of 2013. This first version was written before I’d even properly finished The Next Together. It’s based on an ending for Book One that got completely changed, so fair warning, it’s a bit confusing to read now.

Some lines did actually make it into the final draft, which I’ve bolded.


Draft Zero:

Her mother and father stopped her when she was in the middle of loading the dishwasher with the remnants of their guests’ meals. The interruption of chores was such a rarity that Clove paid more attention than their sheepish expressions would usually have prompted.

“What’s going on?”

“Can you come and sit with us for a moment, Clove? We have something to talk to you about.”

Clove followed them into the living room, settling down on the sofa with a curiosity only increased as she watched their silent conversation. A notification popped up on her wrist: pictures from her party were being uploaded by her friends. She flicked it away absently, frowning at her parents. Her mother sat on the edge of her seat, eyes darting between Clove and her husband anxiously.

Clove raised her eyebrows at her Dad, who cleared his throat.

“Clove, you’re sixteen now. It’s time to tell you the truth.” He let out an exhale and said tightly, “You’re adopted .”

Clove felt her face go stiff. She was itching to move, her knee jumping with the hyperactive twitchiness that always came when she was upset. She leant forward to stop it. She couldn’t think of anything to say. She didn’t feel adopted. Surely she would have guessed?

“Mum couldn’t conceive, so we looking into adoption,” her father- adopted father, she corrected with a worrying lack of emotion- continued. “A woman called Katherine Galloway chose us to be the parents of her child. She wanted a family of scientists, like herself.”

Clove tried to picture this unknown, pregnant scientist, choosing the parents of her baby. “Why…why did she give me up?”

Her mother broke in for the first time, saying in a quiet voice, “She was British.”

Clove blinked again, and for the first time felt a sense of dread. She was British? Clove had learnt a lot about Britain at school. The island was separate from Europe, and had been a once great Empire that had ruled the world. Over time they’d lost their power, and a century ago, at the start of the Google era, in desperation to regain their lost power they’d created the Virus, releasing it across the globe as a weapon during the last world war. For several years humans had struggled to recover from the crippling Virus, which had destroyed everything it touched. By the time a cure had been found Britain had cut off all contact with the rest of humanity, isolating themselves on their island. Apart from a few refugees no one from the country had been heard from since.

Clove had written an essay comparing the actions of Britain to North Korea only last month. It wasn’t a nice country, despite the quaint accent and idyllic image that was portrayed in all the old films. Apparently Clove’s mother was born there.

“No,” Clove said in a panic. “She wasn’t. I’m not British!”

“Oh, sweetie,” her mother said comfortingly, “Of course you aren’t British. You’re Australian. You were born here , and you were raised here.”

“But- my mum was British! What happened to her? Where is she? Why did she leave?” Suddenly the questions were flooding out of her.

“I can’t…why didn’t you tell me?” Before either of them could reply, a thought struck her, and she said, aghast, “What if she came back? Would you have to give me up?”

Her mother shook her head. “No, an adoption can’t just be taken back like that; you are our daughter through and through. We did try to discuss what would happen with her though, but she was convinced she wouldn’t be returning. It seems she was right.”

“Mum, what happened to her? Do you know where she went?”

“Clove…your mother was Katherine Finchley.”

So, this is wild. A lot of the set-up of the story is completely different in this version. I’d completely forgotten that for a while it was set in Australia. What was I thinking?!

Her parents also aren’t Tom and Jen in this version, and didn’t know Kate at all, which is interesting.

The way her parents tell her that she’s adopted is also very blunt and not really accurate. It reads like what it is, a scene written by a 21 year old, rather than actually like real parents. Clove doesn’t even pause to process the information – and refers to Katherine as ‘mum’ straight away! She seems more focused on the nationality change than the genetic parent change. Bonkers.

 


Draft One:

Here’s how that scene had developed by the time I finished writing the first draft at the end of 2014, two years later:

She was in the middle of loading the dishwasher in the aftermath of the party when her parents stopped her. The interruption of chores was such a rarity that Clove paid more attention than their sheepish expressions would usually have prompted.

“What’s going on?”

“Can you come and sit with us for a moment, Clove? We have something to talk to you about.”
Clove followed them into the living room, settling down on the sofa. Her curiosity only increased as she watched them look at each other in some kind of silent conversation.

A notification popped up on her wrist: pictures from her party were being uploaded by her friends. She flicked it away absently, frowning at her parents. Her mum sat on the edge of her seat, eyes darting between Clove and her husband anxiously.

Clove raised her eyebrows at her dad, who cleared his throat.

“Clove, you’re sixteen now. It’s time to tell you the truth.” He let out an exhale. “Now, Clove, Jen and I love you. You are a wonderful, beautiful daughter, and we couldn’t have chosen anyone better. But-” He paused.

Clove stared at him. “What? What is it?”

For an agonising moment nobody spoke, and all Clove could hear was the blood pounding in her ears. No. No. They couldn’t be about to say what she thought they were. They couldn’t.

The words came, just like she knew they would, but Clove couldn’t take them in.

“Clove, you’re adopted.”

“What?” she said hoarsely.

“You aren’t our genetic child . . . I’m actually your uncle.”

Clove felt her face go stiff. She was itching to move, her knee jumping with the hyperactive twitchiness that always came when she was upset. She leant forward to stop it. She couldn’t think of anything to say. She didn’t feel adopted. Wouldn’t she have guessed?

And – uncle? She’d never heard anyone mention a brother or sister. Why were there no pictures of them? Who were they?

“Why didn’t you tell me sooner?” she asked. She felt betrayed. Why had they pushed this on her, on her birthday? Why were they doing this?

Her parents exchanged a glance. “We didn’t think you’d be able to handle it sooner,” her mum said. “It’s sensitive.”

“What?” she said, in a choked off half-laugh. “Why wouldn’t I have been able to handle it? Who are they?”

They stared at her.

“Who are they?” she asked, urgent and terrified. Terrible thoughts were running through her mind. Were they- murderers? Something worse? “Who are they?”

“Clove,” her dad said, trying to speak calmly. “It’s- it’s hard. They were-”

“Who?” she demanded. Why weren’t they telling her? Why were they making this so difficult? “Tell me.”

“They were terrorists,” her mum burst out, and then raised a hand to her mouth in horror, darting a look at her father.

Clove let out a noise, a kind of brittle bark.

“Not like that, Clove,” her dad said, speaking quickly. “Just listen. It’s not like that at all.”

“How can it be not like that?” She stared at her parents – her adopted parents, not her real parents at all – and felt the hairs on the back of her neck rise. She didn’t understand. Nothing they were saying made any sense. 

“Listen. Your dad was my brother, Matthew. When we were at university in England, he, your mother and I were involved in a kind of- well, an international incident. We revealed a conspiracy in the government.” Her father – her uncle – explained, looking pained.

Clove stared at the floor. She couldn’t bear to look at him, to see how embarrassing this was for him, how much he wished he didn’t have to be here to tell her this.

“Matthew,” Clove repeated, feeling the name out. “Matthew Galloway?” The name was familiar, and suddenly it clicked. “-and, Katherine Finchley?”

Tom nodded, but she didn’t need his confirmation. Her parents were Matthew Galloway and Katherine Finchley. The terrorists. Those terrorists. There was a film about them. About her parents, and their attempt to take down the English government. She’d watched it in a history class once. She’d had to write a paper about them. They were her parents. And they hadn’t been terrorists at all. They had saved the world.

Okay, this is a lot closer to the real thing, now. But the time I’d finished the first draft, I’d clearly eased out some of the kinks. There’s no Australia (!), Tom is Clove’s dad, and the backstory actually matches up to the ending of TNT.

In terms of how they break the news, Tom actually tries to ease Clove into the topic, and his nerves are clearly visible. Jen referring to them as ‘terrorists’ was a misstep, I can see now. I was trying to go for a shock factor, as for part of TNT they were considered terrorists – but that’s all cleared up by the end of the book, so it’s irrelevant. And what mother would say that to their child?! It would never happen.

I’d also already got some solid details about Clove’s character and hyperactivity in there too, as well as the basic technology of the computer-watch. There’s no Meg or Spart, which are in this draft, but not for a while. One of the big things you learn to do in editing is really distill the key points to make scenes do two or three things at once. This is extra important in the first scene in a book, when it’s easy to lose a reader’s attention.

This is a ‘telling her she’s adopted’ scene, plain and simple. The final version has that, but it also sets up Meg and Clove’s friendship and the ominous threat of ‘Alec <3’, Spart and Clove’s teasing dynamics, Tom’s feelings about what happened to Matt and Kate, and Jen’s support for Tom. It makes the situation feel more real, and even if a casual reader doesn’t notice it, it foreshadows what’s to come. Fast, multi-faceted scenes are much better than lots of separate scenes all focusing on different plotlines one after the other. That can just create a disjointed reading experience.


Draft Two:

Okay. Let’s see how a scene like that ends up looking like the one in the final book. The answer to this? Editors. Excellent, excellent editors. From this point on it really is a joint effort. A new set of eyes (especially a very well trained one!) can really make a difference to a scene.

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This looks like an intimidating amount of changes, but it’s important to note that a lot of this is just moving sentences around so that it flows more smoothly. This is also a big moment for Clove, right at the start of the book, so there was a lot more focus on getting it exactly right, and therefore more changes, than there might be anywhere else in the book.

I didn’t necessary accept all these changes – this is just the suggestions my editor made to prompt me with. It’s always up to me as the author to decide whether I like the changes, prefer the old version, or have thought of something even better altogether.

Draft Three:

Here’s what I did with my editor’s suggestions. As you’ll see, even with all the changes she made, there was a lot more still to come. This is the version she suggested in the line edits above, with my new additions in bold and removals struck out. Some of the removals are of things she suggested, others are things I didn’t like from the last draft myself. This is now the final version of this scene, as published.

A message from Spart, their household Artificial Intelligence system, popped up on Clove’s watch screen and interrupted her thoughts.

“Your mother is about to enter your room. Hide any and all illicit substances now.”

Clove rolled her eyes at the message. Their AI lived in all their home computers and watches and picked up vocal instructions from anyone near by. Spart organized their lives, and tended to make a general nuisance of himself as he did so. Clove thought this was because her dad had programmed him with a few extra features, including a personality, which meant Spart tended to think he was human. 

“Come in,” she called to her mum.

Hi, darling, are you busy? Can you come and sit with us for a moment, Clove?” Her mum said after opening the door. Her voice sounded oddly nervous. “We have something to talk to you about.”

Clove followed her mum downstairs into the living room, settling down on the sofa. Her curiosity only increased as she watched them her parents communicate with each other silently. They were so in sync that they sometimes seemed able to talk to each other without speaking at all.

A notification popped up on Clove’s watch. Meg had replied to her goodbye with a snap of herself smiling dreamily into the camera. She’d written alec ❤ across it in red. Annoyed, Clove swiped left to delete the message. 

Her mum sat on the edge of her seat, eyes darting between Clove and her husband anxiously.

She raised her eyebrows at her dad, who cleared his throat.

“Clove…” Her dad paused said, after clearing his throat, “we’ve got something to tell you.” He let out an exhale. Clove saw her mum squeeze his hand. “It’s time to tell you the truth. We think you’re old enough now to understand it.”

“You’re sixteen now.  All Clove could hear was the blood pounding in her ears. There was something going on.

Her dad cleared his throat. “There’s something we need to tell you. First I want you to know how much your mum and I We love you. You are a wonderful, beautiful daughter. But-” He paused.

Clove She stared at him. “What? What is it?” Her words came out croaky. For an agonizing heartbeat, nobody spoke. 

Then her dad continued. “This is hard to say…” 

“What?” she said hoarsely. “Just tell me.”

“You’re not ours,” he said, “at least not … not genetically. I’m actually your uncle. I … I adopted you when you were just a baby.”

Her dad sucked in a long breath. “When you were born, something happened to my brother … who was your natural father. Something happened to him and your natural mother.” 

Clove felt her face go stiff. She couldn’t think. She couldn’t process anything he was saying.

Clove opened her mouth and then closed it again. Her knee jumped with the hyperactive twitchiness that always came when she was upset. She slapped her hand down to stop it. She couldn’t think of anything to say. Adopted. Adopted? How was this possible? She didn’t feel adopted. Wouldn’t she have guessed?

“We raised you because they couldn’t,” her dad went on. “Genetically, I’m actually your uncle.” 

 “Why didn’t you tell me before?” she asked. She felt betrayed, displaced, horrified, and a hundred other emotions she didn’t know how to put into words. 

Her parents exchanged glances. “We didn’t think you’d be able to handle it sooner,” her mum said. “It’s sensitive.”

Your birth mother made us promise to wait until you were old enough to understand,” her mum said. “She was worried you might not be able to handle it. It’s sensitive. But now you’re sixteen, we thought—”

“What?” “But it’s OK for you to just drop it into conversation now?”

“Why did they leave me? Didn’t they want me?” Clove let out a noise, a kind of brittle bark.

Clove was itching to move, her knee jumping with the hyperactive twitchiness that always came when she was upset. She leant forward to stop it. “Why? Who are they? What happened to them? Is it because they didn’t want me? Is that what you’re saying?” Clove was finding it hard to process her thoughts. 

 “Oh, Clove,” Jen said, “darling, no, no, it wasn’t like that at all. They loved you very much.”

 “Clove,” her dad said, trying to speak calmly. “It’s- it’s hard to explain. They were-”

“They were what? ” she demanded. “Tell me.”

Clove stared angrily at her parents – her adopted parents, not her real parents at all – and felt the hairs on the back of her neck rise. She didn’t understand. Nothing they were saying made any sense.

“I’m getting this all wrong. Clove, I’m sorry,” her dad – Tom – said. “Listen to me and I’ll try to Let me explain properly.” He faltered. Her mum – Jen – patted his hand again. “Maybe it’s best if I just come right out with it. What do you know about Matthew Galloway and Katherine Finchley?

As you can see, it gets very arbitrary at this point. Both versions work well – the changes are just down to personal preference and flow. No big changes occur, and are unlikely to occur from this point onwards unless there’s something majorly wrong with the tone of a scene.

You really could keep making these minor changes forever – there are still things which could be done better now, of course. But eventually you get to a point where the impact on the scene is so negligible that it’s not worth the effort – especially when I’d much rather be writing new books! So this version gets published.

And so we got there in the end. Three years later. Phew.


The Last Beginning will be published by Walker Books in the UK and Australia on 6th October 2016. It will be released in the US in Fall 2017 by Sky Pony Press.

Amazon UK | Book Depository | Waterstones | Foyles  | Hive 

You can add the book on Goodreads or subscribe to my mailing list for updates, or read the prologue on Wattpad.

More extras:

A rebloggable version of this post can be found here.

Countdown to The Last Beginning: 6 days to go! – THE BOOKS IN EMOJI FORMAT

There’s only six days until The Last Beginning is released in the UK and Australia! My official countdown starts here. I’m going to be releasing special content on my blog every day until release day.

Yesterday I recapped the first book The Next Together to remind people of the plot. Today, I’m doing another recap – this time for anyone who doesn’t want to get spoilered. Here’s a summary of TNT that is more, er, pictorial.

Here is The Next Together….in emoji form!!!! WHATTTT.

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And here’s The Last Beginning:

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Isn’t that cool?! I was so proud of myself for these. They’re so cute. And a lot, lot easier to write than a full novel!

OKAY, SEE YOU TOMORROW FOR THE NEXT ~EXTRA~. Six days to go!!


The Last Beginning will be published by Walker Books in the UK and Australia on 6th October 2016. It will be released in the US in Fall 2017 by Sky Pony Press.

Amazon UK | Book Depository | Waterstones | Foyles  | Hive 

You can add the book on Goodreads or subscribe to my mailing list for updates, or read the prologue on Wattpad.

More extras:

A rebloggable version of this post can be found here.

Countdown to The Last Beginning: 7 days to go! – GIVEAWAY & BOOK 1 PRIMER/RECAP

There’s only a week until The Last Beginning is released in the UK and Australia! My official countdown starts here. I’m going to be releasing special content on my blog every day until release day. I’m also hosting a reblog-to-enter giveaway of a signed copy of the book on my tumblr.

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Literally this.

First up, I’m recapping The Next Together. I always forget what has happened in books by the time I get around to reading the sequel, but never want to reread. So this will jog your memory of the events the first time around. Or if you’re just here for Clove (I don’t blame you) then this will prepare you to jump straight into her adventure…..

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I’ve got your backs, guys. Let’s get you ready for battle.

Those took me so long to write, you guys. You have no idea. You’re welcome.

WARNING: there are many, many spoilers ahead. This is literally a point by point plot summary of the book. If you’re planning to read it now or in the future, click away now or face your own doom!!

OKAY. Onto the recap! For the second time: DO NOT READ THIS IF YOU DON’T WANT TO GET SPOILED.

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I’M SERIOUS.

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YOU’RE ABOUT TO GET SPOILED.

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Okay, fine, you asked for it. SIGH.

Summary

  • The Next Together follows the lives of Katherine Finchley and Matthew Galloway over four timelines, as they are reincarnated throughout history without their knowledge. The book follows their lives from the moment they first meet, unaware that they’ve known each other before, through their falling in love, and the realisation that they are placed at that point in history for a specific purpose.
  • Three of the timelines are told in alternating chapters of prose from the point of view of ‘Katherine’ in 1745, ‘Katy’ in 1854 and ‘Kate’ in 2039. A free eNovella called ‘Another Together’ also follows the life of ‘Kitty’ and Matthew in 1940, told from the point of view of Matthew.
  • At the start of each chapter are epistolary documents from another life in 2019, showing all forms of communication between Katherine and Matthew. Each document is marked with an unexplained file number called a ‘Folios’, e.g. ‘Folios/v7/Time-Landscape-2019/MS-113’.
  • As they live out their lives, a mysterious computer program is monitoring their progress, with the ultimate purpose of ensuring that they achieve their goal, whatever that may be. It’s unclear whether this program is malicious or good.
  • (The four timelines run concurrently in the book, but are separate here to make it less confusing.)

Prologue

  • In the prologue, a version of Katherine and Matthew in an unknown time period are chased across a building, and share a last kiss before their deaths.

1745

  • In 1745, 17-year-old Katherine’s grandmother (and guardian) dies, and she moves to live with her Aunt and Uncle in the city of Carlisle on the England-Scotland border. She’s never met them before, as her aunt didn’t talk to her mother, Katherine’s grandmother, for an unknown reason.
  • She spends time with her Aunt’s Scottish coachman, 19-year-old Matthew, and often escaping parties to spend time with him in the garden. Deep in mourning for her grandmother, she is surprised when he tells her about the Jacobite Uprising, where Bonnie Prince Charlie and the Scottish Highlanders are invading England in an attempt to win independence for Scotland. He says that it might only be a few weeks before they reach Carlisle, and the city’s ancient castle defences are quickly being repaired and the canon’s restored to prepare for their arrival. A computer message warns that ‘Danger in Time-Landscape-1745 is imminent’.
  • As the Rebels approach Carlisle, the terror of the city’s residents increases. One day, Katherine overhears a conversation between Matthew and his cousin Anise, one of the other servants. They are discussing something which they have to do when the Rebels attack.

Matthew: There is still a long way to go until victory.
Anise: Yes, but the attack is the first step. After that, everything that happens is important.
Matthew: What do we do?
Anise: Nothing, yet. You only need to act when the siege happens. That’s when you can change things

  • As they are both Scots, Katherine suspects them of being spies, working undercover in the city, who might help the Rebels during the Uprising. When he tells her that he’s planning to help a group of volunteers who are rebuilding the castle, she thinks that he’s going to sabotage the canons to help the Rebels.
  • Katherine decides to follow Matthew and uncover more evidence of his betrayal. She flirts her way into making Matthew agree to let her him volunteer, and borrows some of his clothes so she can do it in disguise as a boy.
  • When Anise brings the clothes to her room the next morning, Katherine uses the opportunity to quiz the maid about the Uprising, trying to get her to reveal something which will prove that she’s a spy too. Anise just runs out of the room without answering.
  • Matthew and Katherine, dressed as a boy, go to a meeting in the town square for volunteers. They are assigned to help remove rust from the canons. Half of the volunteers are a group of rowdy boys who make up the town militia, and don’t really seem interested in helping with the defences.
  • They work together on the canons, and Katherine fails to uncover any signs of Matthew’s spying. Instead, they spend a lot of time flirting outrageously.
  • The next day, Matthew confronts Katherine about her interrogation of Anise, asking her what she was doing. She accuses him of being a spy. Surprised, he tells her that he’s trying to help the English not the Rebels, as he doesn’t think that Bonnie Prince Charlie being on the throne would do any good for Scotland. She misinterpreted his conversation with Anise.
  • Matthew is horrified that she was only spending time with her to prove that he was a spy, when he thought that they were friends. He eventually forgives her, but their friendship can’t go back to the way it was before, because it wasn’t right. He was a servant, and she was a noblewoman. Katherine is hurt, and realises with horror that she’s fallen in love with Matthew.
  • Her aunt finds Katherine crying, and Katherine asks her why she never spoke to her mother – Katherine’s grandmother. Her aunt admits that they had fallen out when Katherine’s mother eloped with a servant. She returned home pregnant with his child, and the servant was never told that she’d given birth, even after Katherine’s mother died, leaving the baby to be raised by her grandmother. Katherine is shocked that her father was a servant, just like Matthew. The knowledge changes her decision to stop talking to him. She tells him when they’re next at the castle, and they nearly kiss.
  • Before they can get together, the Rebels arrive outside the city. The teenage militia who spend all their time messing around freeze up, and Katherine and Matthew have to take over and fire a canon at the Rebel army. Proud of themselves, they return home to find that Katherine’s Aunt and Uncle are packing up to flee the city, and Katherine is being forced to go with them.
  • She doesn’t want to leave Matthew, and at the last minute jumps out of the coach before it leaves the city gates. She runs back across the city in the dark, and when she gets home, Matthew hugs her, telling her she should have gone with them.
  • Matthew and Katherine stay together alone in the house. When she asks him where his cousin Anise has gone, he says sadly that she had to leave. They kiss, and Matthew asks Katherine to marry him. She agrees, and they decide to elope after the Uprising is over.
  • Each day they go to the castle to watch the siege of the defences. Finally, the Rebels send the city a message asking them to surrender, otherwise the residents will all be killed.
  • There is a town meeting in the cathedral about whether to surrender. There is a fight between two sides, half who want to defend their city and half who want to surrender, like the nervous teenage militia.
  • One of the militia pulls out a musket, and the leader of the side who want to stand up to the Rebels, Durand, is in the line of fire. Katherine runs forward to try and help him, but Matthew pushes her out of the way and helps Durand instead. He is shot.
  • As Matthew dies, he begs Durand not to surrender, to keep Katherine and the city safe. Durand agrees. He tells Katherine that he loves her, and asks her to look after Anise for him.
  • The computer program says ‘Situation critical, Intervention in progress. Searching for the closest match. Match found in adjacent time thread. Transferring male candidate.’
  • As Katherine cries over Matthew’s body, suddenly the body changes. Matthew’s wound is gone, and he’s living and breathing again. He opens his eyes and stares at Katherine, saying “Katy? You died….?”
  • It’s revealed that Matthew thinks he’s from 1854, and at the Crimea during a battle, when Katy was shot. Katherine registers that there are some differences in his appearance from her Matthew. She decides that he’s a monster, and doesn’t trust him. She leaves him in her bedroom, going to mourn the loss of her Matthew, while this version of him vomits and suffers with some mysterious illness.
  • Finally, she understands the truth: that he has been transported here from 1854. They decide that a witch must have done it.
  • 1854-Matthew tells her that in his time, Katy died during the first battle by a river. Afterwards, a rocket hit a tent where the Army’s leaders were meeting and they were all killed. He thinks the English are going to lose the war to the Russians because of it.
  • He tried to remember everything he knows about the history of the Uprising, and they realise that they need to stop Durand from surrendering Carlisle until the English Army has gathered to defend the border. Katherine and 1854-Matthew go to the castle and persuade Durand how important even a few more days could be. He agrees not to surrender.
  • Matthew’s health gets worse, and his skin is covered in redness. The computer program notes that he still hasn’t recovered from the radiation poisoning from the transfer.
  • Eventually Matthew dies, leaving Katherine to mourn the deaths of two different Matthews.

1854

  • In 1854, 16-year-old orphaned Katy is living as a boy called Kit, working as a manservant. When she was twelve she had been kicked out of the orphanage and a girl she met on the street had got her a position as a kitchen boy with Lord Somerset, a general in the British Army.
  • Four years later, Katy was blackmailed by her employer into going to work for a journalist for The Times, Matthew Galloway. He is travelling to the Crimea to report on the war, and Lord Somerset wants Katy to work undercover as his assistant, and make sure he doesn’t spill any Army secrets in his reports back to The Times, which might make their way into enemy hands.
  • Katy meets Matthew Galloway on the docks, and is surprised to find that he is 21, only a few years older than her. He mentions that it only occurred to him to advertise for an assistant when a woman on the bus suggested it, and Katy was the only applicant.
  • She boards a ship to Bulgaria with him, along with a regiment of soldiers, and is surprised to learn more about his point of view about the war. Instead of wanting to spill Army secrets to the enemies, he wants to improve working conditions for the soldiers by providing information to the general public which might start a reform. Katy is concerned, as suddenly she isn’t sure whether she feels happy to be spying on him.
  • Matthew teaches Katy (who he calls Kit, thinking she’s a boy) to write using shorthand, and he mentions that she should write a letter to her Aunt and Uncle. Katy is confused, as she’s orphaned and doesn’t have an Aunt or Uncle. But it jiggles something in her memory, which makes her think at some point in time, she did have an Aunt and Uncle – and they met Matthew. This is the first in a series of memories from past lives which are re-remembered by both Katy and Matthew.
  • Katy is struggling to decide who to be loyal to, her employer Lord Somerset, or Matthew, who she’s starting to develop feelings for, as they’ve been spending a lot of time together, playing card and talking.
  • One day, when the soldiers and other crew the ship – all men – start undressing on deck to wash, Katy is forced to reveal that she’s a girl to Matthew. Shocked, he walks away from her. The computer program comments that Katy’s ‘dishonesty may severely hamper desired progress’.
  • Later, she finds him and explains that she was an orphan and this was the only way that she could survive. When he understands that it wasn’t personal, and that she’s been living as a boy for years, he forgives her. Katy is left feeling awful about the other things she really is lying to Matthew about.
  • Matthew and Katy’s friendship has become more romantic now that he knows she’s a girl, and he seems to blush a lot more. Katy decides that she’s going to woo Matthew with everything that she has.
  • The ship arrives in Bulgaria and Matthew and Katy move into a small tent together, flirting as they fight over who gets the cot and who will sleep on the floor.
  • Matthew gifts Katy her own fountain pen, and Katy persuades the locals to sell them a fresh chicken, so they don’t have to each the stale Army rations. When Matthew goes to kiss her, Katy avoids it at the last second. She feels too guilty about lying to him about spying on his work to kiss him back.
  • When Katy sees the awful conditions in the hospitals, she finally decides that Matthew is right, and something needs to be done to improve the conditions. She lets him send back accurate information to be published in The Times, and Lord Somerset writes to her, complaining that she’s let him down.
  • When the regiment starts marching to the front, someone who knows Lord Somerset recognises Katy as his manservant. He tells Matthew that it’s nice that the Army general lent him his manservant to accompany him on the front.
  • Matthew connects the dots and realises that Katy is here to spy on him for the general. Furious, he storms off. A soldier comes to collect Katy and tells her that she’s been reassigned by Matthew to work with the medical officers.
  • A few days later, she finds him and tries to explain why she did it. They are interrupted by Lord Somerset, and Katy admits to them both that she’s not been spying on Matthew for a really long time, practically since she met him. She says that Matthew’s dispatches have already improved the conditions for the soldiers, and it’s the right thing to do. Lord Somerset rids his hands of her. Matthew looks considerately at Katy, but still refuses to talk to her.
  • Katy keeps having dreams (which are actually memories) about Matthew being shot, and during the first battle, she sees him in the middle of the action, trying to help a Scottish soldier who has been shot by a river. She runs to him to try and stop her dreams from coming true, and dives on top of him, forcing him to the ground. Above them, the Scottish soldier is shot and his body falls on top of them both.
  • They run for safety, and in an abandoned building they realise that their memories of their past lives have come back. They remember that they were alive in 1745 too, and Matthew had been shot in a cathedral. They discuss their lives in that time, and Matthew forgives Katy, and admits that they’re meant to be together. They kiss, and he asks her to marry him.
  • Katy remembers the transfer of 1854-Matthew to 1745 after he was shot, and that he mentioned that a rocket killed all the commanders of the Army during a meeting.
  • Katy and Matthew run to help rescue the commanders by warning them about the rocket. They manage to raise the alarm, but the rocket hits seconds later and Katy is killed by the collapsing tent.

1940

  • In 1940, Kitty and Matthew are working at Bletchley Park during World War II as codebreakers working to decipher the German Enigma code. They go ice skating on the lake and discover a corpse.
  • Another codebreaker, Ella, identifies the corpse as a mathematician. Kitty decides that they should investigate the death after Matthew notices marks around the corpse’s death that look like he was strangled, even when the death is announced as an accident because the mathematician slipped into the lake.
  • They are interviewing Natalie, a linguist who was dating the mathematician, when another corpse is found in the library. They find traces of poison in the latest death’s last cup of tea.
  • The next day, it’s announced the new death was due to gone-off food. Matthew and Kitty suspect the police investigator of being the murderer because he’s ruling the deaths as accidents despite clear evidence that they aren’t. They break into the police officer’s office and discover that he’s meeting with Natalie that evening. They think she might be in danger, so rush to warn her.
  • A dispatch rider called ‘Anise’, who is friends with Ella, lends them her motorbike, which they use to ride to Natalie’s house. They break down the door and discover Natalie strangling the police officer, not the other way around. They rescue him, and he arrests Natalie.
  • They find out that Natalie is a German spy sending messages to the Nazis using the Enigma code. They decipher her messages and realise that she’s put poison in all of the tea urns at Bletchley Park, in an attempt to kill all of the codebreakers and stop them deciphering the German code.
  • They rush back to Bletchley, rescuing Alan Turing from drinking the tea just in time. Their actions lead to the eventual defeat of the Germans when Turing cracks the Enigma code.
  • Kitty and Matthew kiss, and realise that they remember their past lives together.

2039

  • In 2039 at the University of Nottingham, 18-year-old Kate meets a boy called Matt in her first Biology lab session. He’s Scottish which surprises her, as England and Scotland have been separate countries since the third World War twenty years earlier. He must have gone to a lot of effort to study abroad in England. When they touch hands, an unknown computer program notes that ‘First contact has been established in Time-Landscape 2039’.
  • Kate has a funny feeling she’s met Matt before, and when she does some sneaky googling of his name, instead of finding his social media accounts she discovers that another man called Matthew Galloway died in mysterious circumstances at Central Science Laboratories twenty years earlier, along with his wife Katherine.
  • According to the old news reports, they were shot when they attempted to steal a fatal bacterium from the lab where they worked as scientists, trying to release it in central London in a terrorist attack. The security guards managed to shoot them, but the bacterium was accidentally released, and was quarantined. The events took place just before WWIII started.
  • Kate is surprised to find that the scientists Matthew and Katherine Galloway looked exactly like her and Matt. She also finds Katherine’s old tumblr, which abruptly changes from discussing fandom to saying that she and Matthew are caught up in something scary and she might not be online for a while.
  • She goes to talk to her grandmothers, a couple called Nan and Flo. She asks her grans if they know of these scientists who died, and if they are related. They tell her that Katherine Galloway was their daughter – Kate’s father’s sister. They show her some documents about her life and marriage to Matthew Galloway.
  • They admit that they never believed the claims that they were terrorists, but they were too scared to stand up to the soldiers who told them about what had happened, especially not when WWIII started.
  • At their next lab session, Kate tells Matt what she’s learnt. He admits that he already knew about his uncle and aunt and actually moved to Nottingham to find out more about them. Matt says that he doesn’t think the couple were really planning an attack either.
  • When Kate shows him a funny note from Katherine to Matthew, which she picked up at her grandmothers’ house, Matt asks if they had any more of their stuff. They decide to go and look for anything which might tell them more about the couple.
  • Flo and Nan let them look in the attic, where Kate has a funny feeling she can’t explain that something is hidden in the chimney breast. She pulls out a brick and discovers a bag of documents and an old laptop, covered in dust.
  • They go to Matt’s brother Tom, who is also a student at the university, to ask for his help in accessing the laptop’s harddrive. Tom told him about the Katherine and Matthew in the first place. He’s a political activist & hacker called Spartacus. Kate admits to Matt that she’s a huge fan of his brother’s hacking work. Tom and Kate tease Matt by flirting with each other, as Matt is clearly jealous that Kate is such a fan of Tom.
  • The laptop contains emails which reveal that Katherine and Matthew Galloway weren’t terrorists, but had discovered that their employers were hiding the truth about the bacteria they were working on. The couple and their fellow scientists were told it was a pesticide for farming, but instead they were led to create a fatal weapon that would destroy the ecosystem.
  • They realise that the couple were killed when they tried to reveal the truth to the general public, and used as scapegoats by their employers after the bacteria was accidentally released in the lab.
  • Kate, Matt and Tom decide they have to keep investigating what happened, whatever it takes. They look through the other documents from the attic and find that half of an old diary of Katherine’s, which they discarded as useless, is actually in code.
  • Kate and Matt kiss while decoding the diary, and hallucinate some of their other lives during the kiss. They ignore it.
  • The diary entries explain how Katherine and Matthew uncovered the truth about the bacteria. The last entry says that they are going to break into the labs and take photos to send to a newspaper when they reveal the truth. The diary includes the login details of a storage website where Katherine says she’s going to upload the pictures.
  • Kate and Matt try to access the site, but it’s defunct. They decide they need to go to the labs in person to find the phone, and the pictures it contains. Kate and Matt sleep together the night before they leave for the labs, commenting that it feels like they’ve done it many times before.
  • They break into the lab and find Katherine’s blood-splattered office. Hidden inside a printer, Matt finds the phone. It contains video footage of Katherine and Matthew breaking into the labs and finding emails on their boss’s computer.
  • The emails say that the bacteria was commissioned by the Ministry of Defence to be used by the British Army against Europe in the upcoming war. In the video, they then discover the bodies of inmates from Wakefield Prison, whom the bacteria was tested on. They destroy the entire stock of the bacteria, before the alarm sounds. They are chased down the corridor and hide the phone in the printer, leaving the camera running. It’s revealed that this is the moment seen in the prologue. There are the sounds of gunshots as they are killed.
  • Kate and Matt are horrified. They realise that the building they’re standing in was never quarantined, as no bacteria was ever released here. Kate guesses that they quarantined it so that they could use the labs to secretly try to remake the bacteria after Katherine and Matthew destroyed it. They’ve had twenty years to work on it, and Kate and Matt realise that if their guess is right, they’re going to have to destroy the bacteria all over again.
  • They explore the building, and in the basement find a freezer full of vials of the bacteria, enough to destroy the whole world. A logbook shows that the vials have recently started being moved somewhere – they are preparing to use the weapon.
  • Kate and Matt steal a vial as evidence and escape the labs just before being caught by soldiers. They steal a military vehicle and drive back to the university to pick up Tom, then go on to Scotland, where they are going to release the evidence of the video and the bacteria to the press.
  • Kate makes them stop at Carlisle, because she’s been having visions of her past lives and needs to know if they’re true. They go to the castle, and Matt and Kate admit that they’ve been reincarnated and had past lives. They believe that they were put there to help, and mention things they did in each of their lives which helped history. They realise that they must be in another pivotal moment of history right now, and they need to make sure they get this right.
  • Matt gets breakfast on the way to Scotland, while Kate and Tom wait in the car. He sends Kate a message saying ‘I’ve just remembered Clove’ seconds before the police storm the restaurant. Tom and Kate flee, leaving Matt behind to be arrested. It’s only as they are leaving that they realise that Matt had the vial in his pocket, so they have no evidence that they’re telling the truth about the bacteria.
  • Kate flees to Scotland to release the conspiracy about the bacteria with Tom. Matt is imprisoned after been judged guilty of terrorism. No one believes their claims because Matt had the sample of the bacteria. They release the antidote to the bacteria anyway, so that if it’s ever used in war, people will finally believe them and be able to combat it.
  • Kate discovers that she’s pregnant with Matt’s baby. She stays in Scotland until she gives birth to a baby girl who she names Clove. She realises that this is the first time in any of their lives that Kate and Matt have had a child. She believes that this is the reason that they kept being brought back – because Clove is important, and they needed to conceive her. She believes that now they finally have, they probably won’t be brought back to life again.
  • Then, seeing that England is going to war with Europe, Kate decides that she has no choice but to try and stop the weapon being used once and for all. She goes back to England to try and get more evidence of the weapon so it can be stopped, and rescue Matt.
  • At the end, newspaper articles reveal that Matt breaks out of prison, and an anonymous source revealed evidence of the bacteria to NATO, who dissolved the British government and stopped the bacteria being released. Kate seems to have succeeding in her mission.

Epilogue

  • A Wikipedia article from some time in the future, about Matthew and Katherine Galloway, states that they were parents of the infamous Clove ‘Anise’ Sutcliffe, and both played a vital role in the aversion of multiple possible historical catastrophes through their History Control.
  • But in the epilogue, Clove is three and learning to do programming with her dad, who’s Tom – not Matt. It turns out Kate and Matt never came back from England, and disappeared forever, leaving Tom to raise their daughter. Clove’s childish programming looks suspiciously similar to the computer program which has been monitoring Katherine and Matthew throughout the book.

I hope that suitably refreshed your memory! I’ll be back tomorrow with more fun stuff. It’s a big week.

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The Last Beginning will be published by Walker Books in the UK and Australia on 6th October 2016. It will be released in the US in Fall 2017 by Sky Pony Press.

Amazon UK | Book Depository | Waterstones | Foyles  | Hive 

You can add the book on Goodreads or subscribe to my mailing list for updates, or read the prologue on Wattpad.

More extras:

A rebloggable version of this post can be found here.

My top ten Book Girlfriends

In April 2015 I posted a list of my top Book Boyfriends – fictional characters who you would totally marry if they were real and available, like, no questions asked. Straight to the altar.

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In honour of The Last Beginning (out in ten days!) where Clove finds her straight-to-the-alter girlfriend, here are my top ten book girlfriends. These are all from books I loved as a teenager, and a lot of them were inspirations for both Clove and Ella, just like my book bfs were inspirations for Matt.

LET’S GO.


10. Hermione Granger from Harry Potter

Obvious choice is obvious, bUT SERIOUSLY. This girl was my idol. Literally #lifegoalsorwifegoals. She’s clever and bossy and brave and completely wonderful.

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From the illustrated edition by Jim Kay

I can’t really say much here that hasn’t been said many, many times before, but seriously. JKR changed the lives of a lot of girls when she created Hermione. She gave us all permission to be better that the male protagonist in our lives.

9. Marnie from The Raging Quiet2863604

I guarantee that only one of you, if that, will have read this book. I used to get this book from the library over and over when I was a teenager – I’ve read it more times than I can count, and only a little bit because of how cool the heroine is. It’s set in medieval times, and tells the story of Raver, a deaf orphan who the villagers think is mad. Marnie, a widowed young girl, befriends him. She realises that his ‘madness’ comes from a lack of understanding of speech, and together they create a form of sign language.

Marnie is so strong, even in the toughest of situations, but also very patient and careful. She thinks things through, quietly and gently, before acting. She’s flawed too – there are times where she loses her temper and reacts badly, but never fails to learn from her mistakes. She’s an extremely modern girl in a very dark ages time, and I love her. She’s one of those characters who you know would be your best friend if they were real.

8. Lyra Belacqua from His Dark Materials

LYRA FREAKING BELACQUA, MY GUYS. PALS. LYRA BALACQUA. This girl!! She’s spiky and loud and completely infuriatingly annoying. Sometimes she doesn’t listen and gets herself in a right old tangle, but she always finds a way out. Characters who never give up will always have my heart.

I think Ella has a lot of Lyra’s fire in her.

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Source

(Pan, her daemon, is an honorary Book Boyfriend, I guess? IDK.)

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Char from Ella Enchanted made it onto my book bfs list, and Ella is on here. I was seriously into this book.

Ella is under a spell that means she has to do everything anyone asks of her, but that doesn’t stop her from being totally strong-willed and clever. She outsmarts everyone, slides down banisters, gives Princes good tellings off, and can pick up languages in a flash (so she can talk to trolls and her pet centaur). She’s also extremely witty and never hates anyone, even when they spend their whole lives being horrifically mean to her.

In summary: Ella freaking Enchanted, guys.

6. Holly Short from Artemis Fowl

Another pair who make it onto both lists – Artemis Fowl is a real DILF in my imagination, and was on my Book bfs list. Holly Short is the tiny, fiery fairy cop whose entire personality type can be summarised as ‘FIGHT ME!!’.

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From the Graphic Novel

She fights against sexism as the only female cop, worries about ageing now that she’s over one hundred years old, has the best banter with her BFF Foaly, and isn’t afraid to show Artemis how much she despises him, even when he holds the future of the fairy world in his hands. Basically she’s the ultimate badass. She’s cooler than I could ever hope to be.

There are definitely elements of Holly Short in Clove.

Holly Short!! Marry me!!!

tumblr_mnvyy7Wq7a1qkgg6ro1_500.jpg5. Sally Lockhart from The Ruby in the Smoke

Sally is a Victorian lady detective who uses all her skills to solve crimes. She’s dangerous and carries around a tiny pistol whereever she goes, in case of trouble (she gets herself into a lot of trouble). She was played by Billie Piper in the BBC adaptation, which is a pretty good casting choice imo.

I really need to reread the Sally Lockhart books, because however much I appreciated her then, I’m sure I’ll appreciate her 100 times more now I’m a grown up. I think I kind of took her incredible-ness for granted as a kid.

 

4. Sue Trinder from Fingersmith

Now Sue is a big inspiration for Ella in The Last Beginning, in that she lies about everything about herself to the girl she fancies.

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She’s rough and poor and will fight anyone who gets in her way. She’s a thief with a heart of gold. Her character arc from pushover to overprotective fighter is a joy to watch. Again, she’s a really flawed character who ultimately tries her best, even in tough situations, and I adore her.

3. Rosie from Spindle’s End

In this retelling of Beauty & the Beast, the Princess is taken away to be raised by fairies, but she grows up to be a tomboy instead of the proper princess sort. She hates dresses, dancing and embroidery, shears all her golden hair off, is described as a ‘thug’ and is always causing trouble. She even ends up marrying the Blacksmith and giving up her throne! It’s excellent, and Rosie is the best character in the world.

I couldn’t find any fanart for her, tragically. GET ON THAT, TUMBLR.

2. Death from Sandman

Dream had the distinct honour of being included on my Top Ten bfs post, and Death is being included here too. There’s clearly something about Neil Gaiman’s writing.

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The ancient personification of Death is gentle, sassy, loyal and very loving. She really cares about the people she leads into death.

At times she’s just on the edge of becoming a manic pixie dream girl, but her characterisation grows and develops into something wonderful in her spin-off series.

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If there’s anyone who’s a direct inspiration for Clove, it’s Lirael. She lives in a huge underground library and is too shy to even talk to the other librarians. Instead she spends her time exploring its thousand year old depths with her magic dog sidekick. She also can transform into a otter.

It’s hard to articulate how much Lirael meant to me as a teenager. It feels very weird to make jokes about what a babe she is, because I just think that she’s absolutely wonderful. I used to really wish she was a real person. She may be my literary soulmate. I’m so excited to see where Garth Nix takes her in Goldenhand, out next month. I’ve missed her.


In other news: You can still vote for The Next Together in Maximum Pop’s debut of the year competition until Friday. Please do!

I also filmed a little video over at Maximum Pop here.

The Last Beginning is making its way to bloggers! [shivers with nerves] Here’s a picture I love:

And a reminder, I’m doing an event in Milton Keynes on the 14th:

I also GOT SOME GUINEA PIGS. I KNOW!!

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Meet the three newest members of the James family…. Noah, Gansey, and Ronan (because of course I named them after the Raven boys, I’m nothing if not predictable). Thank you to the wonderful @lucythereader for letting me take these little babies off her hands! They are truely show-worthy – the top left is a Swiss Boar! I LOVE THEM SO MUCH ALREADY. Follow my snapchat (flossiepots) for many many guinea pig shenanigans over the next few months.

Finally – if you’re excited for The Last Beginning, you may just want to subscribe to my blog by email, which you can do on the right hand side of my blog. There’s some exciting things coming up over the next week, including some exciting announcements…!


The Last Beginning is published by Walker Books in the UK and Australia. It will be released in the US in Fall 2017 by Sky Pony Press.

Amazon UK| Book Depository | Waterstones | Foyles  | Hive 

You can add the book on Goodreads or subscribe to my mailing list for updates, or read the prologue on Wattpad.

More extras:

A rebloggable version of this post can be found here.

August favourites | WorkFlowy | Crazy Ex Girlfriend | As I Descended

Wow, it feels like a while since I did a proper one of these! I had to cut down this list so much because it was just getting ridiculous….why do I like so many things, really Lauren really.


Musical: The Lion King

I’ve been putting off going to see this for yeaaaars because tickets are over £50 and it never seemed worth it when you can just watch the film? But my friend and I went for our birthdays and it is excelllenttttttt. I cried within the first thirty seconds. Literally, as soon as the Circle of Life started playing and all the animals came out, I was bawling.

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THEY’RE SO MAJESTIC, HOW CAN YOU NOT CRY.

I cried when it played at the end too. It’s just so nostalgic – and it builds so much on the original! It’s got this excellent rustic aesthetic, and it embraces a lot more African culture than the film.

I went to see Aladdin too, which was also amazing. I hadn’t realised the Disney IRL musicals were so good. They’re a must-see for me from now on. If you can, get tickets.

TV Show: Crazy Ex-girlfriend

This TV show is on Netflix (those magical, golden words), and it’s just about to start the second series. I’m so excited I’m incandescent. It’s weird and excellent and so female focused that it’s a bit overwhelming to watch. Becky is such a flawed and complex character and I adore her. She’s a mess, but I support her in (some of) the things she does.

 

There’s one or two songs per episode, and they’re always a different musical genre, and they get better and better throughout the series. They pick some really great topics too, like UTIs and Heavy Boobs. There’s even a Hamilton style cabinet rap battle!!

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I have two favourite songs,  this one about getting a bad grade and this one about obsessive girl crushes.

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Also: THESE TWO. BLESS.

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Website/App: WorkFlowy

This is such a simple concept for a website, but it’s completely changed my work life. I must use it twenty times a day. It’s literally just a To Do list, with expandable and hidden bullet points that you can manipulate according to what you’re working on.

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Example from the website, obvs. My own list is way more scandalous. 

My favourite thing about it is that it’s an app too, that syncs automatically with the website. Like a dork, for years I’ve been sending myself emails of my To Do lists to get them from my phone to my computer. This does that for me automatically now! No more emails to myself! I’m so happy!!

I’ve heard people are using it for plotting stories too, which is an excellent idea as you can zoom in on particular plot points in as much detail as you want, and then zoom out again to view the general outline. Next time I plot a project, this will be my first port of call.

Book: The Last Beginning

In case you somehow missed it, I GOT MY FIRST COPY OF THE LAST BEGINNING.

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Isn’t it stunning? Isn’t it glorious? Isn’t it everything your heart has ever wanted? (Yes.) Only 20 days until its released and in your hands too! (Please buy it. I’m so proud of it.)

If that doesn’t count as a favourite, I guessss I can name a book written by someone else too. Sigh.

Book rec for real this time: As I Descended by Robin Talley

28218948.jpgThis retelling of Macbeth changed my liiife. It’s my dream read. Shakespeare and murder and problematic faves and hauntings and psychological breakdowns.

Maria (Macbeth) and Lily (the scheming Lady Macbeth) start on a path similar to the play – they are inspired to try to take down a competitor because of a prophecy told to them by a ghost (during a terrifying and amazing seance!).

From then on, it diverges a lot from the play based on the setting (a boarding school), the murder method (I’m going to leave this a surprise) and the characters (who are all SO COOL).

I honestly don’t want to say much more, because the joy is partly in working out how things are adapted from the play. It’s an incredibly nuanced reading experience, because you experience the confused mental breakdowns of all the characters through the prose. It’s so well crafted, I highlighted a line on every other page.

Lily is my now-and-forever favourite. She’s disabled, obsessed with achieving her goals, and completely unafraid of MURDER if it means helping her girlfriend. The bloodstained hands are so well done too. Agrh, Robin Talley!! You’re so great!


In other news: You can vote for me in Maximum Pop!’s poll on the best debut of the year (I KNOW.) until 30th September. I’d love it if you did!

I did an interview with What’s On and another for the YA Shot blog tour.

I’m obsessed with this picture of my new character Clove from The Last Beginning, drawn by my mate Sarah for my birthday!!! Clove is a grumpy computer programmer who knits to control her hyperactivity. She’s also got a crush on this girl she keeps seeing around campus, as seen sitting behind her…. 👭

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Finally – if you’re excited for The Last Beginning, you may just want to subscribe to my blog by email, which you can do on the right hand side of my blog. There’s some exciting things coming up over the few weeks, including some exciting announcements…!

Previous favourites: April | May | June | July | August | September |October |November |December |January |February | March | April | May | June | July


The Last Beginning will be published by Walker Books in the UK and Australia on 6th October 2016. It will be released in the US in Fall 2017 by Sky Pony Press.

Amazon UK | Book Depository | Waterstones | Foyles  | Hive 

You can add the book on Goodreads or subscribe to my mailing list for updates, or read the prologue on Wattpad.

More extras:

A rebloggable version of this post can be found here.

The aesthetics of The Last Beginning

It’s exactly a month today until The Last Beginning is released….so here’s an aesthetics post! Here’s what you can expect from the book: historical gays, proud parents, knitting, time travel & rivers.

Bonus:

Sources (x) (x) (x) (x) (x) (x) (x) (x) (x)


The Last Beginning will be published by Walker Books in the UK and Australia on 6th October 2016. It will be released in the US in Fall 2017 by Sky Pony Press.

Amazon UK | Book Depository | Waterstones | Foyles  | Hive 

You can add the book on Goodreads or subscribe to my mailing list for updates, or read the prologue on Wattpad.

My most nerdy dorkdoms

I recently read and loved this blog post by the Reading Rambo, where she lists her four most nerdy interests: the things she could talk about uninterrupted for hours at a time. I’m gonna steal her idea (which she stole from a podcast called The Dork Forest!) and write about my four most TERRIBLY EMBARRASSINGLY NERDY NICHE INTERESTS. Let’s go.

(Also: I’m gonna go ahead and tag this as my July favourites, because it’s nearly September and I have not done that yet. So….this counts.)


ONE. Fandom Culture

Listen. Whenever I’m ill, I do three things: read some fic, order sweets on Amazon Prime, and spend eight hours in the #babygate tag on Tumblr. It’s my guiltiest of guilty pleasures. I’m not really a big ‘shipper’ of real life people like Louis and Harry or Taylor and Karlie or Dan and Phil, but I’m freaking obsessed with the mindsets of shippers.

They are so immersed in every aspect of their interest, to the point of delusion. They invest endless time and energy meticulously analysing every detail of the political, economical and social details of their celebrity’s life/relationship, and ignore the moral grey areas that it involves (like keeping tabs on the social media accounts of celebrities’ young family members for any accidental slips of information).

Fans are the worst and best kinds of spies, and I have so much respect for that level of obsession about anything – but the intersection of obsession and celebrity particularly interests me. Like, read this post, where a Larry blogger explains why they do not, in fact, ship Larry. There is an incredible amount of information about that person to unpack there. I will one day write a novel from the point of view of a tumblr conspiracy theorist shipper. tumblr_nn4jtidFbG1u019nmo1_500.jpg

Other connected interests: fanfic as a genre (which I discuss a little here) and really old school  LiveJournal drama, such as the Harry Potter BNFs intrigues of the early 00’sI could literally talk about this (and I do) for hoursandhoursanddays.

TWO. Arrested Development 

I will watch and adore any zany, meta/intertextual American comedy. But Arrested Development holds a special place in my heart.  I have goalsandaspirations to be a screenwriter one day, and I want to write a show like Arrested Development: weird and clever and rewarding of obsession.

I rewatch the entire series once a year, minimum. All of the characters are problematic and awful and I adore every single terrible one of them, from Gob to the Perfect Michael to Lucille to Maebe to – oh god, I’m getting all emotional – George Michael.

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Listen. If you’ve never watched this show (or anything similar like Community) give it a go. It may change everything you thought you knew about what clever writing can do. It perfects the art of foreshadowing, the art of comedy, the art of character development and character unravel-ment, the art of sly and knowing narration, the art of just being super super amazing in general. If you need a quick introduction, my tag on tumblr is a good place to start.

I adore Arrested Development. I’ve adored other tv shows in my time, like Hannibal and Doctor Who and Brooklyn Nine Nine and Broad City and Jekyll, but my love for other things wanes and flows depending on how recently I watched it (or who the current showrunner is). My love for Arrested Development is constant and eternal and pure and utterly forgiving (even during the last season, which was….not the best.) It deserves a place on this list because I can’t see that ever changing.

THREE. The Raven Cycle

I limited myself to only one book on this list, because otherwise all four of them would have been, like, HP, HDM, JS&MN etc. So….here’s my One Book Choice. It was a tough one, but in the end I went with my most recent and hardhitting obsession.

I read a lot of books. Like, a lot. But none of them have got me hooked so much and so quickly as Stiefvater’s quartet since I was a kid. I’m so obsessed with this series that I forced all my friends to reread the series and have monthly discussion meetings in the run up to the release of The Raven King. They were good sports about it.

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Art by cassandrajp

Thinking about these characters literally makes my heart hurt. I love them all, Ronan and Adam and Gansey and Noah and lovely, fiesty, underappreciated Blue. I want to be friends with them. I would love to read the strange, magical prose of more books about the rest of their lives. It’s an art to get readers to care so deeply about characters, and Stiefvater has pulled it off. She’s also the queen of foreshadowing.

While I do have a lot of opinions about the end of the series, the fact that I care so deeply that I have such strong opinions is a sign of a true obsession. On the list it goes.

FOUR. My Characters

Like, obviously. COME ON. I’m a writer! Of course i’m obsessed with my babies! From Kate and Matt to Clove and Ella, and the ones you haven’t met yet, like Romy and Leah and Rima and Felix and Harriet……sigh. I could talk about them for the rest of my life without pause (luckily I get paid to do just that!).

It’s a strange kind of obsession, since they literally came from myself, but once a character is created they are their own being, and I want to know every single thing about them. I love the act of creation and the depth of feeling I can conjure up for these fictional people, and that feeling is addictive. I am obsessed.

BONUS, obsessions that I considered adding to this list: My dogs. The website The Toast. Leonard ‘Bones’ McCoy. This article about mozzarella sticks. Vampire Weekend. Dinosaur Comics. Sterek fic. Annie Edison. Selling things on eBay. Casey Neistat. UKYA. Stationary. Jillian Holtzmann. Oscar Isaac’s chopsticks. Hannibal. Stoker. Tumblr user “sashayed”. The Hamilton soundtrack. My mum’s garden. Hark! A Vagrant. The Shoebox Project. My bookshelves. Baking recipes. Jenny Slate & Chris Evans. Pride & Prejudice. We have always lived in the castle. Rey. Jean-Ralphio Saperstein. This recap of the Back to the Future Novelisation. And, as of now, making lists of my obsessions.

FINALLY: I persuaded my mate Sarah to do this blog post too, because if there’s anyone who can get truly obsessed about things it’s her. I don’t know what she’s gonna pick, but my guesses are Animorphs, Hamilton, Hannibal and books (her blog is called SarahLikesBooks, so I feel like this one is a pretty safe bet.) You can check here to see if I was right.


In other news: I’m doing an event this Thursday at Waterstones Piccadilly at 6.30pm! Come along!

The Czech cover of TNT was revealed!

https://twitter.com/CooBoo_redakce/status/765626316104302592

Eek!

Summary of my week:

Last week I also turned 24, and celebrated by going to see The Phantom of the Opera, The Lion King, Aladdin and Harry Potter and the Cursed Child at the West End. It was intense. I cried more times than I am willing to admit.

Creator versus Fandom – Authors on Social Media

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At YALC this weekend, I gave a seminar on Social media with the wonderful Alice Oseman. This blog post is adapted from that seminar, for anyone who missed the workshop.

Alice and I have both been using social media since we were kids. However, since we’ve become authors, we’ve noticed a difference between our place online. It’s very different interacting in an online space as an author and as a fan.

The author’s place online is a difficult one to navigate. Often, people love seeing their favourite authors online because they might share small snippets about their favourite characters. But sometimes even this can be received badly. J K Rowling frequently releases canon details about the Harry Potter series, nearly a decade after the release of the books. Fans often react badly to this, as it feels like she’s ‘messing with their childhood’ unnecessarily.

John Green was also accused of being too present in fandom and on social media sites like Tumblr by some of his fans, even though his YouTube channel was where he began his career, and helped launch his books into success. Does the level of interaction authors can have with fans change as authors grow from a debut unknown into a bestseller?

Fandom is a wonderful place for fans to share their love. But how much should the author be involved in this? For example, should authors be involved in the book blogging community, especially in a community that are reviewing their own books?

Understandably, authors can be hurt by bad reviews of their books, which are very personal and important to them. It can be hard for them to see people write negatively about their creations – especially when entering the Goodreads culture, where reviewers posting gif-laden over-exaggerated reviews.

Sometimes authors feel they have the right to defend themselves against reviewers because it’s hard to separate a book from the author, especially for a debut. Sometimes, this leads to authors commenting on reviews of their books, which can be a minor embarrassment for everyone involved. Occasionally it can lead to more extreme reactions.

In 2014, YA author Kathleen Hale stalked a blogger who left negative reviews of her debut. She looked up census reports, paid for a background check and drove to her address to confront her for using a false name online. Kiera Cass and her agent also left nasty anonymous comments on a 1* review on Goodreads in 2012, and called the reviewer a bitch on Twitter.

Obviously these are extreme examples of what not to do, but should authors read reviews at all? Even if it might help improve their writing to read criticism?

As an author, I had to decide months before my book was released whether I was going to read reviews of The Next Together. I found very quickly that positive comments are easily forgotten, but bad reviews are remembered for a long time – even if the good reviews far outnumber the bad. Personally, Alice and I only read reviews that we are tagged in on Twitter – and even then, only positive ones!

But should bloggers tag authors in negative reviews? While it is important for bloggers to remember there’s a real person behind the brand, we should also point out that reviewers do not have a responsibility to try to make sure they don’t hurt an author’s feelings. Reviewers are unpaid and unbiased and reviews are not for authors.

 Authors (should!) understand that their books aren’t for everyone. Authors (should!) encourage reviewing and bloggers – they are huge parts of this community and personally, as authors, Alice and I are very grateful for their hard work.

It should also be noted that the current social media sites we use are all still very new. The rules and social etiquette can vary from site to site, with different interactions expected on Goodreads, Twitter and Tumblr. Goodreads has only been popular for four years. It’s very likely that the way in which we use these sites will develop over time.

People – authors and readers alike – also need to remember that books are pieces of art, and are therefore SUBJECTIVE. There’s no official mark scheme to assess how ‘good’ books are – you can’t really call books good and bad, because there’s too much variety to compare them to.

As author Beth Revis says, “Got [a favourite] book in mind? Now go to Goodreads. Look the book up. Filter the reviews for 1-stars (because I promise you, it does have one stars). And smile. Because if people can rate your favouritest book in the whole world with one star, then of course people can rate your book that way, too.”

Another negative part of the reviewer community is book piracy. I have a google alert set up about my book, and I’m sent at least one link a week to a PDF download of my book. Bloggers often share links to pirated copies of books with their friends without guilt. They see it as growing a fandom for a book, so it’s free publicity for the author.

However, pirating books is different from downloading films, which effect only a big multi-million-pound industry. Book piracy effects only one person – the author. It’s important to remember that an author’s popularity is not a sign of their commercial success. Twitter followers do not equal sales.

Author Maggie Stiefvater has said “If 500 people pirate that book instead of buying it, that could mean the difference between the publisher taking on book 2 in the series or telling her no, the series didn’t do well enough to go on. Pirating can kill a budding career, especially at a smaller publishing house.”

Maggie has said that several of her book series haven’t been continued in some countries as translations because too many people pirate them. The Raven King sold out within the first day of its release, because the publishers didn’t order a large enough print run. They didn’t realise how large the fandom for the Raven Cycle was. Most fans read PDF copies of the books which they’d found on Tumblr. An author’s career is directing impacted by piracy, and can often be cut short because of it.

It should be noted that if you want to read a book and can’t afford it, authors receive the same royalty from a library loan as a book purchase. And libraries are free!

Another big part of fandom is fanfiction. Firstly, we should point out that writing fanfiction is not an inferior creative pursuit. Many authors get their start in fandom and it gives them ‘training’ for later careers – for example, Simon Pegg started out as a Star Trek nerd during his childhood, and went on to act in and write the new film Star Trek Beyond. Lots of USYA authors are writing superhero novels which will be published over the next few years, after starting out as fans of Batman and Superman instead of writers.

Fandom is a very intelligent, creative community. However, the fact that so much creative energy is being put into a subject for free can be taken advantage of. There can sometimes be a manipulative relationship between writers and fandoms.

Cassandra Clare’s career started in the HP fandom in 2001, where she was a Big Name Fan who wrote (often controversial) novel-length fics. Her first novel CITY OF BONES sold 4 years later, and is said to have been reworked from a Draco/Ginny fic. E L James changed the names of a Twilight fic and published it as 50 SHADES OF GREY and Anna Todd changed a One Direction fanfiction and published it under the name AFTER, both to great success.

These fics were written based on collaborative ideas and plots developed collectively in fandom, and built off of existing fics by other authors. A member of the Twilight fandom has said about E L James: “As she posted a new chapter every week. We reviewed every week. As much as she fed us, we fed her with our comments AND suggestions in how far she could or couldn’t take the story.”

 These authors are profiting from things they didn’t personally create, while also taking advantage of the free editing services that members of fandom offer.

There are alternatives for writers looking to develop their skills – Alice put an early draft of Solitaire on a (now-defunct) site called Authonomy, which was a peer review community founded on constructive, kind criticism. This worked extremely well in getting feedback from people interested in helping develop her work. A similar site which is still running is Wattpad – however, this is focussed mainly on reading for fun, instead of feedback.

While directly changing fanfiction into original fiction is a moral grey area – especially as it’s based on an author’s world and characters, as well as taking advantage of fandom – there are other ways in which fanfiction is affecting literature.

Fic is ‘mainstream’ now and is crossing over into published works more and more frequently. People love fan fiction, and are increasingly utilising the ‘fic’ styles, something which is instantly recognisable, in original works – for example, Carry On by Rainbow Rowell. Fanfiction is becoming a new genre of literature.

It can also be argued that an awareness of fandom tropes making better books. There has been a huge increase in LGBT YA literature since the advent of social media. The demand online for better and more respectful diversity has encouraged more publishers to buy diverse books.

However, sometimes this can be done in a less informed way. The fetishisation of m/m relationships, as it often is in fanfiction, is appearing more and more in mainstream fiction. Does inaccurate representation still count as representation?

There was a huge social media backlash called #buryyourgays this year after the TV show The 100 killed off a much beloved gay character, which led to a drop in views and ratings of the show. Now there’s a huge uproar any time this happens. YA authors have also been called out for killing off gay characters.

People engage critically with the media they consume, and they feel that it’s the author responsibility to educate themselves about these social issues. Long term fandoms can feel especially betrayed by writers – especially if they’re writing about characters which they didn’t create themselves, for example, Joss Whedon’s characterisation of Black Widow in the latest Avengers film, or the whitewashing in Dr Strange and other book-to-film adaptations.

Fandom feels that writers have a debt to fandom to do right by these characters, but this can often be misinterpreted as fan entitlement – especially as there is a vocal minority who make their complaints clear in less careful ways. There is a huge difference between asking Disney to #GiveElsaAGirlfriend and attacking actor Leslie Jones on Twitter over the all-female Ghostbusters reboot.

It is also becoming clear that social justice campaigns by fandoms actually do cause a change in authors’ works. Publishers are now offering BAME (Black, Asian and Minority Ethnic) internships due to complaints on twitter about the lack of opportunities available for minority candidates in publishing. The We Need Diverse Books campaign now offers scholarships for #ownvoices authors. Publishers do listen!

The book community online can do both good and bad things – but overall it’s a positive force. Our community is on the forefront of change. Things happen more rapidly and collaboratively here than anywhere else. Online communities have power – socially, economically and emotionally.

As authors, Alice and I think it’s our responsibility to listen very carefully to what fandom tells us. YA authors write things which children read, things which can shape their views for life. Fandom is a huge educational resource which can help us to get that right.


In other news:  My upcoming book The Last Beginning was featured in the August issue of Diva Magazine, to my enormous delight.
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It was also in the Bookseller:

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Things are ramping up to release day!

Speaking of TLB, Alice drew my characters Clove and Ella:

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Reblog here

This is based on this section of the book:

ella clove

Alice got it SPOT ON. honestly this has hit me right in the heart! i feel personally attacked by this!!! LOOK AT THEIR DUMB LOVED UP BABY FACES!!!!!!!!!!!!!!!!!!! I’ve got my phone background sorted for life.

Even more excitingly, someone DREW FANART OF ALICE’S FANART. LIKE INCEPTION. FOR A BOOK THAT ISN’T EVEN OUT YET!

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By alwayslostinotherworlds

So basically I’m in heaven. The actual book is out in October, and you can add it on Goodreads here. All you need to know about the plot of The Last Beginning is that my publishers decided to include this on the copyright page: 😈

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In yet more Alice-related news (she’s gr8 back off), I filmed a video with Alice where I give her book recs based on her favourite films! 📽➡📚

Part two will be up next week, where she gives me film recs based on my favourite books. 📚➡📽

I gave some writing advice in this amazing video made with lots of authors at YALC. I also  recommended one (okay, three) perfect summer songs for a Buzzfeed playlist.

The US hardback edition of The Next Together is now up for preorder! It’s out on 4th April – preorder at B&N or Amazon US if you wish. TNT was also spotted recently by some eagle-eyed readers in on Zoella’s shelves. Eek!

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In event news, I’m chairing a panel at again this year! I’m so excited to talk sci fi with Kat Ellis and SF Said.

I’m also on a panel at Waterstones Piccadilly with Non Pratt, Holly Bourne and Harriet Reuter Hapgood on September 1st. Tickets here. (I interviewed Non here about her new and amazing book UNBOXED!)

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Okay, phew! That’s it for this week, folks!

June Favourites

It’s time for another one of these! They’re still my favourite blog posts to write, so enjoy.

I spent most of June backpacking around Cambodia and a bit of Thailand. It was tiring but brilliant and I’m so glad I went. I think next time that I’ll choose a nice hotel over hostels though, at times it was a bit…….rural. Hah.

Anyway here’s me doing some cool stuff there:

Okay, now you’re suitably jealous, here’s my faves.


Play: Harry Potter and the Cursed Child

tumblr_o9l3vwLkqd1qa24muo1_400.jpgYES, I’VE SEEN IT. IT WAS SO GOOD. INCANDESCENTLY GOOD!! I’ll probably talk about it more after the script is released because #keepthesecrets, but: Scorpius is my favourite, Rose is too good for him, Albus needs a good long hug, grown-up Harry is smoking hot (my friend Madi spent the whole show whispering #DATASS in my ear), HERMIONE!!!!!!!!!!!

It’s just so magical and lovingly created and I have NO idea how they did some of the magic special effects. And the ending!! It’s so JKR! It’s literally the eighth novel, and anyone who’s bracing themselves for disappointment does not have to worry at all.

(But I would recommend waiting to see it live, if you can avoid reading the script. I KNOW THAT’S IMPOSSIBLE. But it will make the experience about 1000% better. Trust me.)

Book: The Yellow Room by Jess Vallance

27809137.jpgSixteen-year-old Anna receives a letter from her father’s girlfriend telling her he has died and asking to meet. Anna is drawn to Edie: her warmth, her character, her ability to rustle up delicious meals, all of which her own mother is seemingly incapable of . . .
and the way she can tell Edie the secret that is buried inside her.

A tautly told, compelling tale about mothers and daughters and the lengths that some will go to, to make their dreams come true.

I read this in one sitting. It’s another incredibly dark story of obsession, revenge and love. Jess Vallance is one of the most underrated UKYA authors and she’s an auto-read for me.

 

TV Show: Gilmore Girls

This has just gone on Netflix, and I’m watching it for the first time. I’m already on series 2. Luke and Lorelai just need to kiss already, obviously. And I’m unashamed to say I’m wholeheartedly shipping Rory/Paris. #noregrets

(Also, Dean is the official Worst. And I love Emily. I HAVE SO MANY GILMORE GIRLS FEELINGS, HELP ME.)

Blog Post: ON THE SLOW PURSUIT OF OVERNIGHT SUCCESS by Victoria Schwab

This post hit me hard in my deepest fears, and it really calmed them a lot. It’s very inspirational to learn that the worst things that can happen to an author – having your series cancelled, not selling enough books – never mean it’s the end. As long as you keep writing good books, they will get published. And one day you might be Victoria Schwab!

At 25, I was scarred, terrified that my career was over, because I’d given something everything I had, and it wasn’t enough, and I didn’t understand how or why or what I was supposed to do next, and part of me wished I’d walked away back when that first book didn’t sell, but I didn’t. I couldn’t. And my anger, my frustration, my stubborn resolve was louder than my fear, so I sat down and wrote something else.

It was a book for me. A book to restore my joy, to remind me why I did this masochistic thing. And it was a secret, a sheltering of the creative process so that that no publisher could take away what the writing of it gave me.

 

Film: Ghostbusters

Okay, this only came out in July, but I cAN’T STOP THINKING ABOUT IT, so it’s going in my faves this month. I watched the whole thing in wide eyed amazement. Four strong women, who aren’t objectified or body shamed! Three of whom are SCIENTISTS! The other of whom is a historian! A loving, feminist sense of humour what doesn’t mock anyone! Fake geek guy Chris Hemsworth! KATE MCKINNON.

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I JUST WANT TO WATCH IT EVERY DAY FOR THE REST OF MY LIFE. BEST FILM EVER.


In other news: I did a really emotional interview over at Siobhan Curham’s brilliant new website – check it out here at the blog.

I also did a short radio interview over at the Gateway YA Book club here: https://gatewayyabookclub.tumblr.com/post/147852145393/

My big giveaway, where I’m offering query critiques and signed annotated copies of TNT, is open here until the 6th August.

I’m going to be staying in London for all of August. I’m so excited, and I’m going to see ALL THE MUSICALS. If you have any suggestions for cool things I should do, or you’re going to be around and want to hang out, hmu!!

A reminder about some of my upcoming events: I’m going to be at YALC ON Sat 30th, doing a workshop with Alice Oseman at 2pm on ‘Fandom Vs Creator: Authors on social media’, with a signing afterwards. I’ll be around for the rest of the day too, and I’d love to see you all if you come along! (Related: Alice posted her uni dissertation on her blog! It’s so good, you should read it if you’re at all interested in something called “Words were different when they lived inside of you’: Queering Genre in Young Adult Fiction”.

I’ve also got an event at Waterstones Oxford on August 14th at 4pm. It’s a Historical Fiction panel with Rhian Ivory, Katherine Woodfine, Emma Carroll and Helen Maslin.

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My …. writing process. Whatever that means.

So I was sent this ask on tumblr.

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I’m about due a blog post, so I thought I’d answer it here. (I owe you a June Favourites too – it’s coming, I promise.)

I don’t think I’d do a vlog like Alice (she’s is a lot better at that stuff than me) but I do give semi-regular writing updates here on my blog, so I thought I’d go back and compile them all and see if it gave any insight into my “writing process”.

A bit of background: I’m currently writing an un-contracted book which I’m tagging ghost house on tumblr. It’s a gamble to write a book out of contract, but I had the time and I couldn’t get the idea out of my head, so I’m doing it anyway. My publisher have said they want my books to be high concept sci-fi, so I don’t think they’ll be interested in it (it’s kind of satirical fantasy, or something – I pitched it to my agent as MISFITS meets SPACED.) but you never know! We’ll see what happens when I’ve finished it.

I started #ghost house in January, after I pitched it to my agent and she said she liked the idea. Here’s what I had to say:

January: 

January was a month of lots of writing for me, and lots of waiting. In publishing, you have to play the long game, and I’m definitely coming to realise that. I’m full of feelings about stuff I’m working on, but I’m not allowed to share any details about it for at least a few more months. BUT THERE’S LOTS OF EXCITING STUFF COMING UP, GUYS. I can say that, at least.**

(**Some of that exciting stuff was Another Together, my eNovella. Some of it is still to be announced, whooo!)

I started doing some research into early-90s internet use, which I posted about here.

February/March:

I spent most of February/March writing the first draft of Book 4, and I’ve just hit 25,000 words. It’s the most fun I’ve ever had writing a novel, and I can’t wait to tell you all about it! Twitter even got involved in naming one of the characters!

However much I love writing novels, though (which I really do) I wish I could pay someone to get the first 20k out of the way for me. It’s always AGONY. It’s so infuriating, because I know exactly what is going to happen, down to the minute, but I haven’t worked out how to TELL it yet. I have to write and rewrite and rewrite trying to adjust it until the right format and structure makes itself known.

It’s like chipping away at marble, then realising what you really need is a shard you chipped off, and having to glue it back together. FOR EVERY WORD. Basically: I’ve spent a lot of this month writing the same scenes five different times over, and I’m probably about to do it again. Wish me luck!

I also made a fancast of the ghost house characters here.cast.PNG

April:

I hit the halfway point in writing my fourth book this week too – hurray! I always get convinced I’ve forgotten how to finish a story about 20k words in, so I’m relieved to have remembered how it all works. It’s (hopefully) all easy going from here.

I’m so into it and it’s so intense and the characters are really being stretched more than any I’ve written before and I’M VERY HAPPY. I went through a couple of weeks where I couldn’t write at all because of stress/anxiety but I’ve got over it finally. Now I’m racing through it!! And I wish I could tell you what its abouuuuuut!

I let a few people read the manuscript when I reached the halfway point (my mum, my brother, and my friends Sarah, Alice and Cat).

I also posted a book playlist here:

  • Red Right Hand – Arctic Monkeys
  • 400 Lux – Lorde
  • Born to die – Lana Del Ray
  • Changing – Paloma Faith
  • Monsters – Ruelle
  • The Whip – Locksley
  • Don’t Lie – Vampire Weekend
  • House Party – Sam Hunt
  • Fantasy – MS MR
  • Conqueror – Aurora
  • Walkashame – Meghan Trainor
  • Renegades – X Ambassadors

May/June:

Ghost House is going on the backburner for a bit while I work on other projects, like the copyedits for TLB. I’m hoping to get back into it in mid-September.

July: 

I got some feedback on Ghost House from my agent, who read the partial manuscript at 40,000 words. She said that the pace is wrong (I’ve focused a lot on character development instead of plot) so in a spare few days between other projects I went back and cut out about 10k, and shifted around a lot of stuff to make it read faster.

It’s now down to 31k, which sounds like backwards progress, but it reads a lot better, so I’m happy. I can’t wait to finish my other projects so I can really put my head down and finish the book! When I actually have some time I think I’ll get it done in a few weeks, because I know exactly what’s going to happen, and I always write the second half of books at about three times the speed of the first half.

And that’s it for now! You can see how I do in the future by following my word count updates on myWriteClub, if you want. Wish me luck.