Filtering the World – Writing craft chat

I’ve been writing professionally for a decade, and one of the things that’s really developed in my technique is that I’m always interpreting the world through writing, 100% of the time. I make dozens of notes on my phone throughout the day, when things I read/see/watch/do/hear remind me of my projects.

This could be anything from a discussion on social media about how someone processed grief, a moment of emotion in fic, a visual framing device in a TV show, a description of food in a recipe book, a song that reminds me of a character’s starting emotional point, a good word or odd way of phrasing a sentiment that comes across as quirky, and literally hundreds of other things. I’m filtering everything that catches my attention at all through the eight or so projects I have on-the-go, until it clicks into place. Almost always, it fits into one of the projects somehow – because that’s why it caught my attention.

Yesterday I was listening to a song on repeat, and stopped to wonder why – and ended up writing 1,000 words of a character’s diary entry. But in the vast majority of cases, I don’t go back and look at those notes for many weeks. When I go back to work on a project, the first thing I do is copy those notes from my phone app over to a Word document, and turn them into the snippets of dialogue or prose I imagined them being useful for. Then I build the story around that framework.

This automatic world-filtering is something I’ve only started doing instinctively in the last few years. I used to have to intentionally ‘seek out’ these moments of resonance, as I started a new project. It was a whole stage in the process, before I could start writing. But I’ve somehow trained my brain to do it automatically, as soon as the project is first concrete in my plans. It’s so, so useful, and I really recommend thinking more consciously about how you process media if you’re a writer – you’ll be thankful you did so, in a decade or so!

(I use Workflowy bullet point lists to record my notes.)

I speak to climate activists and scientists about climate change and Green Rising in an interview here:

Published by Wren James

Wren James is the Carnegie-longlisted British author of many Young Adult novels as ‘Lauren James’, including Last Seen Online, Green Rising, The Reckless Afterlife of Harriet Stoker and The Quiet at the End of the World. Amazon MGM Studios is developing The Loneliest Girl in the Universe as a feature film. Joe Roth and Jeffrey Kirschenbaum will produce the film alongside Katherine Langford. They are a RLF Royal Fellow and the story consultant on Netflix’s Heartstopper (Seasons 2 and 3). Season 3 will guest star Jonathan Bailey, playing a role created by Wren.

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