Filtering the World – Writing craft chat

I’ve been writing professionally for a decade, and one of the things that’s really developed in my technique is that I’m always interpreting the world through writing, 100% of the time. I make dozens of notes on my phone throughout the day, when things I read/see/watch/do/hear remind me of my projects.

This could be anything from a discussion on social media about how someone processed grief, a moment of emotion in fic, a visual framing device in a TV show, a description of food in a recipe book, a song that reminds me of a character’s starting emotional point, a good word or odd way of phrasing a sentiment that comes across as quirky, and literally hundreds of other things. I’m filtering everything that catches my attention at all through the eight or so projects I have on-the-go, until it clicks into place. Almost always, it fits into one of the projects somehow – because that’s why it caught my attention.

Yesterday I was listening to a song on repeat, and stopped to wonder why – and ended up writing 1,000 words of a character’s diary entry. But in the vast majority of cases, I don’t go back and look at those notes for many weeks. When I go back to work on a project, the first thing I do is copy those notes from my phone app over to a Word document, and turn them into the snippets of dialogue or prose I imagined them being useful for. Then I build the story around that framework.

This automatic world-filtering is something I’ve only started doing instinctively in the last few years. I used to have to intentionally ‘seek out’ these moments of resonance, as I started a new project. It was a whole stage in the process, before I could start writing. But I’ve somehow trained my brain to do it automatically, as soon as the project is first concrete in my plans. It’s so, so useful, and I really recommend thinking more consciously about how you process media if you’re a writer – you’ll be thankful you did so, in a decade or so!

(I use Workflowy bullet point lists to record my notes.)

I speak to climate activists and scientists about climate change and Green Rising in an interview here:

Published by Wren James

Wren James is the award-winning British author of eleven science fiction & fantasy novels, including The Quiet at the End of the World and The Next Together (previously published as Lauren James). Their books have sold over 200,000 copies in ten languages, and The Loneliest Girl in the Universe was optioned for film by Amazon MGM. Wren is a story consultant on Netflix’s Heartstopper, which was awarded an Emmy for Outstanding Writing. Also a RLF Royal Fellow, Wren is the founder of the Climate Fiction Writers League and member of the Society of Authors’ Sustainability steering Committee. They work as a consultant on climate storytelling with a focus on providing optimism and hope. They have won the Sustainable Story Award and been shortlisted for the YA Book Prize, Carnegie Medal and STEAM Book Award. Wren’s writing has been described as ‘gripping romantic sci-fi’ by the Wall Street Journal and ‘a strange, witty, compulsively unpredictable read which blows most of its new YA-suspense brethren out of the water’ by Entertainment Weekly. Their latest titles are Last Seen Online, a crime thriller set in the world of fandom, and The Victors, a cosy fantasy graphic novel illustrated by Beth Fuller. Wren was born in 1992, and has a Masters degree from the University of Nottingham, where they studied Chemistry and Physics. They run a Queer Writers group in Coventry. Follow them on Instagram & TikTok at @wrenjameswriter or find out more at wrenjames.co.uk.

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